Preparing for a concert is a bit like preparing for a job interview; with the exception that you face a panel of 80 or so players, staring and waiting to decide in the first five minutes of a rehearsal if you're the worst candidate in history or not. That first three-hundred seconds can make or break you, regardless if you have a baton in your hand or just a good old CV - and as anyone who has been successful in an interview knows, it's all in the preparation. So how does this conductor prepare for those three-hundred seconds?
Preparing for a concert is a bit like preparing for a job interview; with the exception that you face a panel of 80 or so players, staring and waiting to decide in the first five minutes of a rehearsal if you're the worst candidate in history or not. That first three-hundred seconds can make or break you, regardless if you have a baton in your hand or just a good old CV - and as anyone who has been successful in an interview knows, it's all in the preparation. So how does this conductor prepare for those three-hundred seconds?
Robert Emery talks to Stewart Copeland, the founder and drummer of the British rock band 'The Police'. Stewart talks about why he attributes studying 'Mass Communication & Public Policy' to becoming one of the worlds most famous drummers, why one of his balls is called Ben Hur, and how he grew up not knowing his Father was a spy.
Robert Emery talks to Stewart Copeland, the founder and drummer of the British rock band 'The Police'. Stewart talks about why he attributes studying 'Mass Communication & Public Policy' to becoming one of the worlds most famous drummers, why one of his balls is called Ben Hur, and how he grew up not knowing his Father was a spy.